58. Moment Fugue

 

When you’re on this block, you have one thing in common with anyone else here: the moment, this moment. Some have lived in it for longer than you; others’ve just come into it. But you and they and I—are all in it, for the moment, for as long as we’re here.

Maybe you really do have to die to leave it. I don’t remember who told me that. Maybe Adam, maybe mother. Or maybe—like the question you know not to ask—I learned it simply from being here, just from being. That’s how Adam and mother left. And the man who fathered me. The lady whose name I never knew is still here, and Mrs. Littington, for all that she participated in the gossip, was never part of it because everybody knew she wasn’t staying. And of course, after today she’ll be gone again, having flitted into and out of the moment, the last mother and I will have.

Now, only now. I’ve been to lots of other places where people lamented some monument or edifice that once stood in their midst, in their moment. Then it was smashed, exploded or burned and something else was assembled in its place. Or maybe the place is left empty. The people mourn the passing of whatever’d been there before but they stop remembering it the moment it was gone. No one remembers the squalid squares in the old railway stations or the drab columns of office buildings, apartment houses or the local store. Somehow, in memory, whatever is lost rises into towering arches filled with the soft, smoky haze of sun through windows high near the ceiling. Anything—even the moment of this block—can dissipate in that light.

On my way back to this block, I passed by the onetime financial center of this city. Its most famous—tallest—structures were gone, leveled by what architects, engineers, scientists and those who wrote and spoke for them claimed their steel-girded glass boxes could withstand. I called mother when I heard about their destruction. Just making sure she was all right, even though I knew she’d never been anywhere near them. Everyone, it seemed, who’d ever seen a photo of the buildings was calling somebody. Other people’d had to wait hours to get to one of the phones on the street. Not me—Gail, whom I’d met while I was still cursing Vivian, slipped a cell phone into my bag. I didn’t realize I had the phone until the first time it rang. When the buildings fell, I broke her rule that I use it only to answer her, and called mother.

Now I use only cellphones.

I’m getting away from myself. Those houses of cathode ray screens and paper, built like a box of drinking straws with the middle straws removed, were gone. I noticed their absence only because nothing stood in their place. I recalled how they cast shadows over the streets, the people, even the other tall buildings around it. But the fall of those steel beams, and the glass panes shackled to the fluorescent space around them, did not flood the corners and alleyways with suddenly-unsealed sunlight. The skyscrapers that still stood spread over each other and stilted solar pulses through the channels between offices and cigar stores, the snakeskin-smoothed sidewalks and the coiled cables of the bridge between that part of town and the precincts around this block.

“The Towers,” as everyone called them, were gone. But apart from their general shape—breadboxes sliced on the ends and sides with serrated knives—I could recall nothing else about them. Not the details, scarecely visible on such tall buildings, yet present enough for the news reports to point out as metalworkers took apart what remained after the explosions. I vaguely recalled the view from the top, the end of some trip on a school bus and up a series of elevators with a bunch of boys who wanted to beat up a “faggot” and a teacher—a nun who would—could ‘--ve done nothing to stop them. I knew there was something called an ”observation deck” at the end of the elevator ride, but it could’ve been a milk crate for all that I could recall.

It’d been part f some moment long ago, which might’ve continued to today had I or the Towers not gone. But the fall was inevitable: the Towers’ moment wouldn’t, couldn’t, last into this one. Nor could that moment in which I lived through the births-- and the deaths I witnessed and helped to cause.

After mother’s buried, the moment—long as it was—of this block will end, at least for me. The lady whose name I never knew—I don’t know. No one else from that time remains here. Then again, the moment began before Mrs. Littington came to this block, before I was born, before she or mother were born. And it continued through the disappearance of the man who fathered me and the day when the police retrieved a body and gave it my former name.

57. Who Do They Talk To?

 

I don’t know whether Mrs. Littington knows about the man whose body was found in the basement. The body with my name. Maybe the lady whose name I never knew told her. Then again, I suspect not. Why would they begin speaking now? But you never know what circumstances will prompt.

There’s no reason—I hope—for either of them to talk to me now. I’d had a close call on the way to the bathroom when the lady whose name I never knew followed me—or so I thought. For sure, she’d turn the glance she caught of me into a cross-examination. When you’re a kid on this block, it seems that adults are always doing that to you—even the ones who’d never talk to you, or let you talk to them, under any other conditions.

Even if they know, it won’t matter. Or so I hope. Who’s Mrs. Littington going to tell, anyway. Wherever she’s going, I’m sure there’s no one to whom any of this’ll matter. As for the other woman: With mother gone, who can she talk to? I don’t think she gets out—of this block—much; she never did. What she’s wearing now looks like one of those housedresses she always wore, only in black.

Shehasn’t angled her head toward Mrs. Littington the way she did with mother. I’d never see her actually turn her eyes, her nose, her mouth, in the direction of mother. But I could always tell when she was turning her attention toward mother, when she was about to speak as soon as I couldn’t hear.

I’m hoping she doesn’t, for the first time (at least to my knowledge), do the same with Mrs. Littington. They’d’ve had at least one common topic—mother—for gossip or whatever. And if they talked about her, I imagine they’d talk about me, whether or not they realized I was in the room with them, not in that cellar on that last cold afternoon before summer, when the police found the body to which they’d attach my name—my former name.

Hopefully, I won’t have another close encounter today. I never could’ve explained myself to anyone on this block when I was living here—at least, not in any way that they could hear. Then again, I never could’ve told them anything they’d wanted to know. Nothing’s changed.: I know, therefore I can’t say.

Could they’ve recognized me, even after all those years and all the changes? Of course, they say some things never change. Once, by chance, I met a friend of Vivian’s in a cafĂ©, far away from this block or her town. “I recognize you from someplace. Your eyes…” Her name flashed into my mind, but of course I couldn’t say it. I pretended to ignore her, and she left.


56. Identification


At least I haven’t seen any cops. Maybe it wouldn’t matter if I did. Could they make a positive ID of me? They couldn’t with that body in the basement; how could they identify a living person? Especially if that person’s changed since the police started searching?

Not that they have any reason for stopping or questioning me. Not really. Then again, the cops, especially the ones around here, know how to extract confessions from mouths that never had to hold secrets. Vivian used to talk about the “highway blues,” when an officer could tail you, pull up alongside you and pull you over even though you hadn’t gone over the speed limit or in the wrong lane, and somehow you’d do something—you couldn’t deny it—and the officer would write a summons. Really, officer, I didn’t kill anyone. Especially not mother. Of course not. I hadn’t even been on the block at the time she died—or when the body in the basement gave up its last. Everybody—at least the woman whose name I never knew—knows that. I hadn’t been here in years. How many? Well, gee, officer, I’m not quite sure. So much has happened and well, you know how time flies.

But they’re not here now. Just me, Mrs. Litttington, the woman whose name I never knew—and mother’s body, in the casket.

Epilogue: Another Return

The street was dark, but not in the way she remembered. Curtains muted the light in the windows the way clouds veiled the daylight that af...